My patience is sorely tested with the current supposedly public stance of ‘stamping out child sexual exploitation’ with the recent art exhibition of an Australian photographer, artist Bill Henson.

Roslyn Oxley9 Exhibition Bill Henson

The NSW police seized a number of photographs by Bill Henson from the Roslyn Oxley9 Gallery in Sydney, on the grounds of depicting minors in an ‘indecent sexual manner or context’. Since we are so focused on the term context, I think it is only just to describe the ‘full’ context under which this event takes place and the significance of it.

Bill Henson is a well known artist, who had his first exhibition at the age of 19, at the National Gallery of Victoria. Since then he has had many exhibitions of his work both nationally and internationally. In 1995, he represented Australia at the 46th Venice Biennale. The exhibition in question at the Roslyn Oxley9 Gallery contained a number of images depicting girls under the age of 16 in the nude.

It is important to point out that Bill Henson’s artistic interest on his teenage subjects. During an interview by Dominic Sidhu at EGO magzine, this very question was asked:

Your teenage subjects seem to exist outside of society in an almost hypnotic state.

The reason I like working with teenagers is because they represent a kind of breach between the dimensions that people cross through. The classical root of the word “adolescence” means to grow towards something. I am fascinated with that interval, that sort of highly ambiguous and uncertain period where you have an exponential growth of experience and knowledge, but also a kind of tenuous grasp on the certainties of adult life.

Great, so now we have the full context of which we can now see and examine Bill Henson’s work.

Now my own personal critique of this quagmire which Bill has himself now landed in. I am saddened by the fact that we now live in an age of political correctness so pervasive that every facet of a modern man/woman’s life now must pay homage to.

Our media would sensationalise when Madonna (a pop icon) kisses Britney Spears (uhmmm … another sorta icon?) full on the lips; glamourise the Royal families and run images of their babies full across our high-definition LCD screens; and have you and me fixated on the goings-on around us in 5 seconds sound bites that would have you submerged in this soup of headlines and trite stories that even a full F-18 sonic boom would not shake. phew… that felt good :-)

Our legal systems seem to be marching to the same tune, I wonder if great artists of the world would now be tossing and turning in their graves. What would Leonardo Da Vinci say about Bill Henson’s work? What if the famous Mona Lisa smile is from that of dare I say a 14 year old teenage girl? Considering the fact that some of his sculpture works all explored the nude human bodies, it is probably highly likely that he would had young models working for him at the time.

Naturally, I digress ;-) After all we are living in an age of ever insurmountable dangers, danger from terrorism, danger from global warming, danger from global recession, and last not least danger from dangerous elements in our society who sexually exploit children. Our legal systems and the incumbents of the government of the day must and shall uphold that very delicate veil of security in this age of dangers and uncertainty.

So it seems that our politicians and governments keep telling us, we need to be so vigilant that Bill Henson’s work can not and will not be shown in this society, without understanding the very context under which his works are shown.

Maybe one day, some of the seized works from the Roslyn Oxley9 would see the day of light in a public forum where we all get to vote if these works are indeed works of a sexual intent or otherwise.

~paul